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Frank Stokes:1887-1955. Considered one of the most influential artists of the Memphis blues scene, Frank Stokes was often referred to as the “King of Beale Street.” An impeccable guitarist and entertainer, Stokes recorded solo and as one half of the Beale Street Sheiks. Melodically and rhythmically the Sheiks were the classic duo of pre-Depression era Memphis blues, inspiring a succession of guitar picking pairs, most notably Memphis Minnie and Kansas Joe. Some of the sharpest guitar interplay the blues has to offer.

Robert Wilkins: 1896-1987. For those who’ve ever enjoyed the song “Prodigal Son” by the Rolling Stones, think again. The real treat and genuine version is Robert Wilkins’ “That’s No Way to Get Along.” Wilkins was one of those rare blues musicians whose songs didn’t fit the standard blues formula. His cache of styles included ragtime, blues, minstrel songs, and gospel, all played with equal aplomb. Though this lack of a singular style most likely impeded widespread popularity, it allowed for more ambitious song structures, melodies, and lyrical themes. In addition to being a skilled song designer, Wilkins’ gentle, vibrato-laced voice and rolling, hypnotic guitar playing make for very ear-pleasing country blues.

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